Friday, 11 August 2017

REVIEW: OUR HOUSE @ CREWE LYCEUM







The jukebox musical has become a firm money spinner for theatres across the land,  but for my money there are only two jukebox musicals that lift the art to a higher plane: the eternally sunny Mamma Mia! and at the other end of the spectrum darker events in NW1 courtesy of Madness and Tim Firth in Our House.

It seems a little cruel to be giving a verdict on the opening night of a tour with a show as complex as this. There were bound to be fluffs with costume and set, and sure we got them, but it didn’t deter from what is clearly a classy revival. The magnificent Crewe Lyceum proved an equally classy setting to launch this new tour.

Tim Firth’s script is seemingly influenced by the movie Sliding Doors (and we got plenty of them in this version) as we follow the alternate time lines of Joe Casey following a break in at a building site.  There follows events which in which the ‘light’ Joe Casey - who gives himself up when police arrive - seems to be getting the worst of things, whilst ‘dark’ Joe Casey with his decidedly dodgy morals does a runner. This Joe seems to have everything: success and his girl,  Sarah.  But this is a morality tale and fortunes change.  Firth’s clever script mines the comedy out of some quite murky events,  and the drama is heightened by the timeless pop arsenal of Madness.  Back in the day, the bleak jobless landscape of life in Thatcher’s Britain was reflected in the lyrics of some of the best songs married with some killer singalong tunes. It was an irresistible combination which made them the legends they are today.  Songs such as It Must Be Love, My Girl, House Of Fun, and the title song Our House remain classics. It is almost impossible not to get out of your seat and dance.

This new production produced by the Immersion Theatre Company and Damien Tracey Productions conjures up the world of NW1 in style. Designer David Shields has a tough task of producing a number of locations ranging from Casey Street to inside a prison to a Las Vegas wedding. He does so with a clever array of set pieces which work well. Meanwhile director James Tobias and choreographer Fabian Aloise get the meat out of the drama and music through a high energy young cast.

As the pivotal role of Joe Casey,  Jason Kajdi has big shoes to fill. But he does so magnificently. This must be one of the toughest roles in musical theatre beset with baffling quick changes as the ‘light’ and ‘dark’ aspects of the character intertwine. And despite the odd wardrobe malfunction, Kajdi sailed through it like a true pro.  He gives a star performance.  He is surrounded by an equally strong ensemble.  Deena Payne brings just the right amount of  sensitivity to Joe’s mother Kath.  Sophie Matthew is spot on as Sarah who struggles with the actions of both versions of Joe.  She possesses a lovely singing voice too, which is most evident in her solo number NW5. Street dancer George Sampson (erstwhile winner of Britain’s Got Talent nine years ago) steps up to play one of the villains of the piece, skinhead scumbag Reecey.  Naturally some street dancing is incorporated into the show, but away from that Sampson has the confidence to give Reecey the arrogance and swagger that defines him.  It is the start of a promising career in musicals.  A word too must go to Callum McArdle as Joe’s Dad.  A spectral figure who observes and narrates the actions of his son,  it is a strong binding of the two alternate futures from the view of a father who is so near and yet so far. 


Jason Kajdi as 'dark' Joe
Deena, Jason and Sophie
George Sampson as Reecey


I could go on naming cast members, but it would just bore you. Save to say that this is a top notch, high energy cast who leave us all breathless with their dance and performing skills. Musical Director Dustin Conrad leads a band of four, which somehow manage to sound like twenty, and are one of the major reasons the audience were tapping their feet throughout.  After a hectic first performance, the show will no doubt be tightened and honed further. I'd like to see the cast when they are truly bedded into their roles. 


The cast of Our House 2017:  raw talent

It is always a worry, when you hold happy memories of previous productions of a show, that a new tour will somehow diminish those memories for you.  However the residents of Casey Street are in good hands here.  It is a production blessed with a lot of love for its subject.  There has never been a better time to be invited to Our House.




Tour details can be found at www.ourhousetouruk.com

No comments:

Post a Comment