Wednesday, 22 June 2016

REVIEW: RONNIE SPECTOR @ BUXTON OPERA HOUSE






It is perhaps both fortunate and unfortunate that Ronnie Spector’s first major record release became one of the greatest pop records ever released.  How do you follow that?  With some difficulty, but that hasn’t stopped her trying over a career that is into its fifth decade.  As one third of The Ronettes, and its defining voice,  Ronnie was a major brick in future husband Phil Spector’s legendary Wall Of Sound.  Her recording career since then has been sporadic, but with each subsequent release the critics have praised her magnificent vibrato voice,  one of those once in a lifetime vocal styles that can only ever belong to an original.




The diminutive Ronnie, framed by a birds nest wig, bounded onstage to a very warm welcome at the Opera House in Buxton,  belting out her hit anthem “Baby I Love You”.  Now aged 72,  she has lost none of the girlish enthusiasm that was evident when the record was originally released in 1963 as she weaved her magic on the Derbyshire crowd.  Backed by four excellent musicians, and three beehived Ronettes, the audience were treated to a whistle-stop tour of her musical career. This included some numbers from her latest album English Heart,  a tribute to the artists of the British invasion of America  in the 1960s.



A surprise from the audience was the sudden appearance of Dave Berry who had appeared with The Ronettes on UK shows back when they were high on the charts,  he belted out his own hit “Little Things” much to the delight of Ronnie.  But it was the famous Spector voice that we had all come to hear and we got it straight down the line. From the wistful “Walking In The Rain” to the stomping rock beat of “(The Best Part Of) Breakin’ Up”  Ronnie ploughed through her back catalogue like a seasoned pro. A version of Ray Charles’ “What’d I Say” has been in the repertoire since the very beginning and echoes a time when The Ronettes danced at the Peppermint Lounge,  looking way older than they were, waiting to be discovered.  Ronnie casually mentions artists who wrote songs for her, the likes of George Harrison and Harry Nilsson,  showing the kind of pedigree she has among her peers. Ronnie’s voice is as unique and wonderous as it ever was,  able to show a range of emotions such as her Bee Gees cover “How Can You Mend A Broken Heart?” which she dedicated to her late sister and fellow Ronette, Estelle.  This is from the latest album English Heart from which we were also treated to “I’d Much Rather Be With The Girls”, a song Keith Richards wrote on the tour bus whilst The Rolling Stones were touring with The Ronettes, along with The Dave Clark Five hit “Because”.  Ronnie clearly loves these songs,  and both the live and recorded versions are a testament to the song writing powers of this golden age and the artists who keep them alive today.  Perhaps understandably there was no mention of Phil Spector,  now disgraced but whose production and song writing genius were at the very heart of Ronnie’s chart successes.  For that story you need to read her acclaimed autobiography How I Survived Mascara, Miniskirts And Madness, it’s a rock and roll tale like no other.



But of all the songs in Ronnie’s repertoire, it was the ‘boom ba boom’ drum beat opening of “Be My Baby” that caused the excited audience to reach fever pitch.  Often voted by pop archivists as one of the greatest records ever produced,  we were aware of hearing a little bit of history being recreated before us.  With everyone on their feet and singing along as one,  it was one of those spine tingling moments.  Returning to the stage to deliver wannabe Ronette, Amy Winehouse’s “Back To Black” and the final ever Ronettes recording “I Can Hear Music” (which The Beach Boys later had a hit with),  Ronnie faced a sea of hands reaching out for her.   It was clear that she loved recreating decades gone by as much as we wanted her to.  She may not be the household name that her contemporaries Tina Turner and Cher became,  but Ronnie Spector has more than earned her legendary status in the music industry.   The Ronettes induction into The Rock & Roll Hall Of Fame was well overdue, and now stand tall among the greatest recording artists of all time.  For those of us who experienced Ronnie Spector in Buxton there can never be any doubt about this lady’s pedigree.  A star.




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