Sunday, 25 February 2018

REVIEW: Q - THE MUSIC SHOW @ VICTORIA HALL, STOKE





Being a tribute group is a tough profession.  At worst you can ruin some classic material, but a small minority of these can sometimes transcend their origins and re-create the magic of timeless material. I am happy to report that Q – The Music Show falls into the latter category.  The opening concert of their 2018 tour brought all the thrills and spills you expect of material centered around the world’s most popular spy – James Bond 007.

A first class orchestra of 11 musicians – led by their founder, musical director and Bond afficiando Warren  Ringham – faithfully recreate the sounds and arrangements we have all become familiar with over the past 50 years of Bond-age.  The superb musicianship is further enhanced by two note perfect vocalists,  Matthew Walker and Kerry Schultz, who together bring the vocal dynamism needed to life.  

 Matt Walker & Kerry Schultz

Kicking off with John Barry’s original Dr. No arrangement of Monty Norman’s ‘James Bond Theme’ set the tone perfectly for the evening. It fell to Matt Walker to give the first vocal performance of the night, recalling Matt Monro perfectly with ‘To Russia With Love’.  The Bond series has always sought to showcase popular performers of the day and it now reads like an A – Z of music greats, so recreating the songs brings with it many chances to fail.  But Walker rose to the occasion perfectly, as the loud and sustained applause confirmed.  However, not to be outshone, Kerry Schultz arrives, all sass and sequins, to launch into ‘Goldfinger’. Schultz is a vocalist who is not intimidated to be taking on a vocal so firmly associated with Dame Shirley Bassey, and she gives it all she’s got. Even Auric Goldfinger himself would have been quaking in his boots with her powerful delivery.

 The girl with the Midas touch

And so the tone and the standards were set from the off by this hugely impressive outfit. Former Bond girl Madeline Smith (Live And Let Die) who has enlivened many a British comedy film with her sparkling personality, proved to be the perfect host for the evening. Her bubbly introductions before the Q Band launched into songs which hint at dark deeds and a world on the edge of disaster, was the ideal juxtaposition. The Q Band are equally at home with the jazzy intonations of ‘All The Time In The World’ as they are with out and out rockers like Chris Cornell’s ‘You Know My Name’ and this versatility is the key to the evenings success.

A heartfelt dedication to the memory of Sir Roger Moore before performing ‘Nobody Does It Better’ proved to be a popular close to the first half of the show.  We did too get a few instrumentals which showcased the band by themselves, including the disco inflected ‘Bond 77’ from The Spy Who Loved Me and John Barry’s ‘007’ from the earliest Bond outing. Bringing it more up to date Moby’s Remix of the theme demonstrated that in what ever soundscape, the melody is pure class.





As with many tribute shows, you are dealing not only with the material but a shared nostalgia for the songs and how they fit into our own experiences.  So when Walker delivers a stunning ‘Thunderball’ or Schultz stops the show with ‘Licence To Kill’, they are recreating a bit of our own lives. That they manage to do so with spectacular results is the reason the audience were on their feet and demanding more at the end of the show. My one criticism would be that Madeline blithely announced the band would not be performing 'Die Another Day' because it was unpopular with Bond fans and the band themselves.  I don't think it is the job of a tribute like this to censor our enjoyment.  There could well have been people in the audience to whom the movie or the song 'Die Another Day' held special memories. As such they would have felt cheated. And besides the Madonna track was a considerably bigger chart hit than some of the material being performed. A home goal ladies and gentleman of the band!


There really is no star to Q – The Music Show,  each of the 14 people on stage contribute something unique to the total. You would be hard pushed to find an entertainment with better musicianship on the road today.

Even my hard-bitten live theatre experience has to concede that this is the ultimate James Bond music experience.  Warren Ringham can be justifiably proud that he is has created a concert that is worthy of the 007 legend.  Can there be any higher praise?

Details on tour dates, CDs and DVDs can be found at their website: